Every booking comes from the platforms
Occupancy is fine, but the margin disappears into commission and the relationship with the guest stays on the other side. There is no list of who has already stayed, and no way to call them back.
Tourism has a communication problem almost no other sector has: the decision gets made by someone who has never been to the place, hundreds of miles away, comparing photographs. Everything good about the property — the morning light, the quiet, the walk down to the estuary — only exists for the person booking if it shows up on a page. And it is a seasonal decision: there are weeks of the year that decide months of income.
The other problem is commission. Booking platforms bring guests and take a cut of every night, and the more an accommodation depends on them, the less it owns its own price. A website of your own does not replace the platforms — it works alongside them, so that whoever discovered you there books with you directly the second time. We work on both: the brand and the website that make someone choose you, and the path that turns that choice into a direct booking.
Requests from this sector almost always come to us for one of these reasons.
Occupancy is fine, but the margin disappears into commission and the relationship with the guest stays on the other side. There is no list of who has already stayed, and no way to call them back.
The images are taken in a hurry, in the wrong light, with the bed unmade. In a sector where the photograph is the product, that is the difference between being chosen and being passed over.
Whoever is booking does not know the area. Without the distance to the beach, the centre and the airport, and without what there is to do nearby, the page does not answer the question that brought the visit.
Half the people looking do not speak Portuguese, and the browser's automatic translation ruins exactly what was being said.
Communication piles up in summer and goes quiet the rest of the year. When it is needed again, it has to start from zero.
The scope changes depending on whether it is an accommodation, an experience operator, or promoting a destination, but these are the jobs most requested.
Presenting the property and each room or type, a properly edited gallery, a map with what is nearby, prices by season, and the path to booking — whether through a form or connected to the booking engine you already use.
The same website in Portuguese and English, or in whichever languages your guests come from, with each version having its own address so it shows up in searches made in that language.
Name, logo, palette and typography, plus what the guest finds on arrival: signage, the welcome book, the keys, breakfast, and whatever they take home with them.
Writing that explains the area to someone who does not know it — walking routes, beaches, restaurants, what to do when it rains — which is the content that brings visits outside the booking season.
Adverts and content designed around the calendar: the high season sells itself well in advance, and the quiet months get filled with shorter stays and a different kind of guest.
Vinyl graphics, signage, printed maps and the material left in the room. It is what makes the guest remember the name when it is time to come back.
Each page explains the process, what you get at the end, and the most common questions.
Way To Portugal and Aveiro+ are promotional websites — one for routes across the country, the other for the city itself. MARE CHALLENGE is the website for an event that brings people from outside into the region. The rest is in the portfolio.
What people ask us before starting a project in this field.
Tell us what you have, when your busy season is and where your guests come from. You will get a proposal with scope, phases and price, whether for the website, the brand or the campaigns.
Tell us when suits you and we will come back with a confirmation. It is not an automatic booking: a person always confirms the meeting.